C:L.A.C. INONDA
Shaping new centres of gravity
We are transforming the San Potito Sannitico Auditorium into an international platform for contemporary arts
InOnda is an evolving ecosystem that turns an unfinished architecture into a living organism. It is a movement born from the land and its materials, fueled by local heritage and relations, projecting the Matese region onto the global cultural stage.
THE METHOD: A FLOW IN CONSTANT EXPANSION
Our approach leaves a tangible trace, following an evolutionary trajectory:
Matter → Space → Relationship → Stage → World
InOnda does not follow a linear path: explores, intersects, transforms.
THE PROCESS: A COLLECTIVE WORK IN THREE ACTS
The Auditorium evolves from an unexpressed space into a global performance platform through a three-act choral narrative:
ACT 1 | MATESE, MATERIA PRIMA.
Listening to the territory to amplify its voice
Our process begins with the Matese. Through MATMAP (mapping materials) we identify waste materials and local supply chains, activating a network of artisans, businesses, and the community.
Deep-Rooted Sustainability: Using what exists as our primary resource.
Tactile Identity:Translating local matter into the project’s aesthetic and structural code.
This is where the wave begins.
ACT 2 | L’AUDITORIUM SI FA CASA.
Co-producing a cultural ecosystem
The space comes to life through four Cantieri (Creative/Build-Labs). Experts and citizens act as activators, working side-by-side to shape the environment.
The wave flows through the space and transforms it
Cantiere (Build-Lab)
The Goal
The Experts
The Wave
1. Il Retroscena
Building sanctuaries for artistic research. The Auditorium becomes permanent residency and hub for creation.
…inhabits the space
2. La Risonanza
Exploring the sonic dimension so the architecture speaks and vibrates through human presence.
Domingo Colasurdo and Giovanni Gaudio
…vibrates the space
3. La Platea
Configuring the infrastructure for togetherness; the Auditorium becomes a collective asset.
Mono González, Nicola Flora, Francesca Iarrusso and Tono Cruz
…shares the space
4. Il Sipario
Opening the performative threshold. The stage manifests and welcomes the world.
…reveals the space
ACT 3 | IL MONDO INCONTRA IL MATESE.
From the local space to the global stage
Once activated, the space opens to international research. Between 2026 and 2027, InOnda will launch 3 International Calls for artist residencies and transdisciplinary productions.
What is born in the Matese resonates with the world
generating new connections and trajectories
WHY INONDA?
Living Design: We promote a space that breathes and evolves alongside those who inhabit it.
Cultural Propagation: We act as a wave that crosses, grows, and modifies everything it meets.
Beyond the Margins: We restore the Matese’s role as a driving center for vision and creative innovation.
The Culture of Existing: We value present resources as an act of responsibility and shared beauty.
INONDA IN NUMBERS (2026-2027)
1 AUDITORIUM | A recovered architecture restored to the community.
OGNI GIORNO MATERIALE RIMESSO IN CIRCOLO | Through MATMAP, the living atlas of Matese resources and waste.
4 CANTIERI (CREATIVE/BUILD-LABS) | Co-production spaces between experts and community activators.
3 INTERNATIONAL CALLS | Windows open to global artistic research.
∞ RELATIONSHIPS | Endless connections generated between matter, people, and territory.
Where:
Organized by:
Partners:
The project is promoted by the Contemporary Creativity Laboratory, with the support of the Directorate General for Contemporary Creativity of the Ministry of Culture
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